Postgraduate Publishing studies at Edinburgh Napier University. INDUSTRY APPROVED Publishing courses (accredited by the Professional Publishers Association and Creative Skillset). MSc Publishing was the first Publishing programme in the UK to be approved by the Professional Publishers Association. It is one of only two UK courses to be accredited by Creative Skillset. MSc Magazine Publishing is the only course of its kind in Scotland.
When I found out that part of our MSc Publishing course involved undertaking a professional placement I was excited and absolutely terrified in equal measures. Although I had completed an Editorial Internship in Paris in 2016, I was really nervous at the prospect of completing a work placement in Edinburgh – the city where I wanted to settle and start my publishing career. I was desperate to make a good first impression and get a foot on the extremely competitive publishing ladder.
Since arriving in Edinburgh in September to start the course I had been researching the Scottish industry and was thrilled to see all the amazing work being done by independent publishers. When I was asked to complete a Case Study as part of a module in semester 1 I knew I wanted to focus my research on Canongate who is a force of nature in the publishing industry. I had already read (and loved) a number of Canongate’s books and admired their determination to seek out and publish ‘the most vital, exciting voices’. Soon after starting my Case Study I heard about the opportunity to join Canongate’s Campaigns and Sales department for a 3-month internship. I couldn’t believe the timing and jumped at the chance! I sent in my application as quickly as possible and was thrilled to be invited for a telephone interview. Continue reading “Sales and Campaigns at the Award-Winning Canongate”
In past seven months on the Edinburgh Napier Publishing MSc, I’ve learned so much: skills in design and editorial, personal and professional development, developing a more comprehensive understanding of the publishing industry, as well as taking advantage of placement opportunities here in Edinburgh. However, the decision that has had the most significant impact on all of those elements was becoming a member of the Scotland chapter of the Society of Young Publishers (SYP) back in September.
While I may not have attended many casual mixers (social anxiety and general fatigue don’t usually put me in the party mood), I have gone out to workshops, events, and the annual conference in February 2019. At each and every one I learned so much. As you can imagine, for these reasons alone I would recommend joining the SYP, and if you are looking to get into publishing, I would suggest seeing if there is an SYP group in your area.
Last week I had the opportunity to fly back home to Germany as part of an exchange of our publishing course at Edinburgh Napier University and the Mainz University. Early this year I already had the chance to meet some of the Mainz students while they were visiting our University. It was great to see them again and get to know each other better.
We arrived late at night on the 1st of May and started on the 2nd of May with a day at the Mainz University. We got the chance to listen to a lot of interesting topics and learn about the German book market, which was also new to me since I studied something different in my undergrad. The day ended with us seeing the Archives of the University and having a get-together with all students and speakers of the day. This obviously included some traditional food for the region, which I have to admit really missed back in Edinburgh.
Since day one of the Publishing course at Napier, it was mentioned that Twitter is a great tool to connect with others in the industry and keep an eye out for possible internship/job opportunities. Funny enough, it was through this very platform that my internship with Entangled started.
Entangled Publishing is an independent publisher of romantic fiction, in the adult and young adult markets. They’ve released more than 1,200 titles, including the YA novel Obsidian by Jennifer L. Armentrout which was signed for a major motion picture. They have 13 imprints which range from a variety of ages and topics and the novels are released in digital and printed form. Approximately 20 to 35 titles are published in digital form and 4 in print and e formats simultaneously each month. Furthermore, 57 of their books have made it to the USA Today Bestsellers list and 17 to the New York Bestsellers list.
Last week I hopped on a plane to Mainz with a group of my fellow publishing postgrads. The trip was absolutely fantastic. We had the chance to meet interesting people, explore new places and learn about the publishing landscape in Germany.
We spent a day at the university in Mainz, listening to lectures and touring their publishing archive. We enjoyed a walking tour of the city, ate delicious local cuisine and even got to tour the archives of Schott Music, a leading publisher for classic and contemporary music. As a former band geek, I was ecstatic to learn a bit about the history of music book publishing and completely enthralled to be in the same room as original work by Mozart and Wagner.
My personal highlight of our visit was a day trip to Heidelberg (aka my new favorite city). We did some sightseeing (I convinced a few classmates to join me in climbing the 313 steps up to the top of the city’s castle) and then spent the afternoon listening to presentations at Springer Nature’s headquarters.
One aspect that I have been very eager to learn about during my time on this Publishing MSc has been the area of independent publishers. How do they differ from their larger competitors? And how do they thrive?
In January of this year, I was lucky enough to be taken on as an intern for Muddy Pearl, an Edinburgh-based publisher that print “books that are true to Scripture and to the Spirit.” They produce high-quality titles by key Christian writers who are experts in their fields and write with a genuine insightfulness; navigating the reader through modern life. I have been encouraged to read their backlist titles and have loved seeing the breadth of topics covered.
A lot of my workload consists of helping with marketing, which I have thoroughly enjoyed as I have gained very practical experience in how publishers generate interest and sales from books. Rather than a scatter-gun approach, marketing materials such as AIs and press releases are focused and tailored to individual parties. Invariably, it was here that a positive response was received, and I have learnt the benefit of finding a common ground with the recipient in order to stand out in their inbox!
Also, I have proofread titles with a marketing focus in mind, looking to see where there are opportunities to collaborate with others and find ‘hooks’ with which to catch readers’ interest. I have learnt a lot from this, as even at the initial stages of editing, the publisher is thinking “How can I sell this?” Given the topical nature of Muddy Pearl’s titles, this was not too difficult, but I’ve realised that a good understanding of your customer’s profile is essential.
Consequently, in growing my knowledge of how we market books, Muddy Pearl’s personal and well-researched approach has struck me as a very effective way of bypassing larger companies and aiming their titles towards an engaged audience. My placement at Muddy Pearl has been a brilliant opportunity to learn first-hand how an independent publisher thrives in this environment and it has cemented even more my wish to work in this area!
A publishing student talks about her experience tackling #LBF18
There has been a lot of talk, both in my classes and out of them in the last few months, about London Book Fair. Talk about how big it is, the idea that it might be overwhelming when you first see it, that there will be a lot of publishers there: not just from the UK but worldwide. Where will you stay? How long are you going for? What panels are you planning to go to? Which stalls do you want to visit? Do you have any meetings set up? No- do you?