Postgraduate Publishing studies at Edinburgh Napier University. INDUSTRY APPROVED Publishing courses (accredited by the Professional Publishers Association and Creative Skillset). MSc Publishing was the first Publishing programme in the UK to be approved by the Professional Publishers Association. It is one of only two UK courses to be accredited by Creative Skillset. MSc Magazine Publishing is the only course of its kind in Scotland.
Information about publishing students and MSc Publishing
A huge congratulations to our MSc Publishing students who graduated yesterday!
All of us here in the programme team wish you every success in your Publishing careers.
Here’s to the class of 2018!
A publishing student talks about her experience tackling #LBF18
There has been a lot of talk, both in my classes and out of them in the last few months, about London Book Fair. Talk about how big it is, the idea that it might be overwhelming when you first see it, that there will be a lot of publishers there: not just from the UK but worldwide. Where will you stay? How long are you going for? What panels are you planning to go to? Which stalls do you want to visit? Do you have any meetings set up? No- do you?
Honestly by the time I got on the train last Monday morning I was sick to the back teeth of talking about London Book Fair (LBF). I just wanted to see it. Continue reading “London Book Fair: A First Impression”
When trying to crack the publishing industry, I think work experience does you a world of good. For me, MSc Publishing’s focus on giving students the opportunity to go out and put into practice what they’ve learnt was one of the main attractions prior to joining Edinburgh Napier way back in September.
As soon as the time came to organise a placement, Edinburgh University Press (EUP) was at the top of my list. EUP is one of the leading university presses in the UK, and specialises in producing academic books and journals across a wide range of Humanities and Social Sciences subjects to the highest standard. As a History undergraduate, I regularly used EUP’s books, so relished the chance of getting to help the team produce its latest titles.
Whilst working at EUP, I was based in the Production department where I was supervised by Ian, the Head of Production, as well as Gavin, Digital Production Controller and MSc Publishing alumnus. Over the course of my ten weeks as a production intern, I worked closely with Ian and Gavin as they taught me the ins and outs of the production process, whilst fuelling me with an abundance of tea, leaving me with what I believe is a more well-rounded understanding of production than simply typesetting and cover design. Consequently, I was able to get well and truly stuck into the production process, and learnt new skills such as converting covers from Hardbacks and PPC (Printed Paper Case) to Paperbacks and how to send books to print. Whilst adding to my new skills every week, I put into practice existing ones like proofreading; a personal highlight for me was being able to work on two sets of proofs for the Scottish Historical Review, where I was completely in my element.
But, as important as production is, editorial and marketing are equally important functions to the publishing process. During my placement, I was able to spend time with both Anna, the Head of Marketing, and Nicola, Head of Editorial where I was able to obtain a better grasp on their roles within the company. It’s invaluable to be able to pick the brains of those who make everything at EUP happen, and by having an almost mastermind-esque conversation where the special subject is EUP, I believe I’ve come away with a more solid understanding of the day-to-day running of a company. These opportunities gave me the chance to develop a more holistic understanding of the publishing process as a whole which was hugely beneficial, especially when departments work so closely together in modern publishing.
EUP’s nomination for Academic, Educational and Professional Publisher of the Year for the 2018 British Book Awards shows there are few better to learn from in Scotland. I’ve had a brilliant time on placement at EUP, a company full of lovely people who’ve been incredibly helpful and supportive from week one, no doubt a great place to have got my first taste of publishing.
What a placement as an editorial assistant at charity, Pain Concern, looks like
Pain Concern is a national charity that supports and informs people with pain and those who care for them – including loved ones, carers, and professionals. They do this by providing information through their website, podcasts, and information leaflets which circulate pain clinics around the UK. They also raise awareness about pain through Pain Education sessions and fundraising techniques, and campaign to improve the provision of pain management services.
My role in the charity is as an editorial assistant, and I was really keen to volunteer some of my skills that I have developed on the course to a charity which would really benefit from them.
In-house they are a small team, but this is fleshed out by the vast array of volunteers nation-wide who help out in whatever ways they can. On my first day, I arrived to find that they were extremely welcoming and made me feel comfortable straight away. I was also pleased to find that they wanted to push me into developing into new areas and gain more experience in a variety of ways and as far as I wanted. This included the possibility to write some press releases when they appeared. There was also the chance for me to develop my web skills through updating their website and finding ways to make the articles published on the website more discoverable.
Currently, my role entails transcribing their monthly podcasts and condensing them into a short blog article to publish regularly on their website. This means I have to work closely with the trustees to ensure the articles meet The Information Standard quality checks and disseminate the correct medical information as this is so important for the patients and carers reading them. I also monitor emails and check in with the transcribers and listeners of the podcasts to relay when a new podcast is coming out, and to make sure that they send in their transcriptions to be published on the website, too. In addition to this, I will be helping the team ensure that their current and upcoming publications also adhere to The Information Standard and achieve the Crystal Mark for quality, which is one of the most important jobs.
Luckily, I had the opportunity to meet the trustees in person. Visits from the trustees don’t happen too often since they have to travel from all over the UK. The fact that they braved the ‘Beast from the East’ to be there that day proved their commitment to the charity and to those who rely on them, and I found that pretty inspiring. As well as the sandwiches, the staff meeting was thoroughly enjoyable. I got to sit in and hear about all the developments within the charity and the office itself, and to learn about the ways they will continue to grow in the coming months. This was exciting! I was encouraged to give feedback and it was nice to feel that even though I was so new, my views were still appreciated and even wanted.
Overall, I’ve thoroughly enjoyed my experience at Pain Concern – so much so that I will probably stay on as a volunteer after this module has ended. I’ve learnt new skills and enhanced the ones that I brought with me to the charity, and I’m hugely grateful to the team for letting me join in on all the great work that they do!
I chose The Library Window as my Publishing Production project as I wanted to publish a book in the supernatural genre. Margaret Oliphant, a Scottish author, was well-known for writing ghost stories in her day, so I looked into a few of her stories. What intrigued me about this specific story, was the combination of two supernatural themes. The very obvious ghost theme, and the more indirectly mentioned cursed diamond ring theme.
About the editor and designer
I’m Sinead, an MSc Publishing student at Edinburgh Napier University. My blog Huntress of Diverse Books focuses on reviewing and promoting diverse books. I’m also a co-host at Lit CelebrAsian, an initiative aiming to uplift Asian voices in literature.
In honour of the centenary of some women getting the vote in the UK, we are proud to reveal some of the new books that we are publishing in 2018.
Mona Caird
Catherine Carswell
Mary Findlater
Violet Jacob
Lorna Moon
Willa Muir
Margaret Oliphant
Felicia Skene
All Scottish, all amazing women, all talented writers. Mostly forgotten.
We are proud to be bringing their work back into the light.
We are also publishing some male writers this year, but we will tell you about them another day…
We are now in the third week of the new trimester and things are moving fast!
We have submitted all our book title ideas and are keen to share them with you… soon!
We are also excited to be publishing a full-colour magazine! This will be the all-signing, all-dancing new incarnation of Publishers Inc. The article proposals are undergoing scrutiny as we write and we will be revealing all to you very soon!
But we don’t want to keep you waiting – if you have any relevant placement opportunities, please get in touch NOW.
We are an industry-accredited programme, and we can help you!
