Postgraduate Publishing studies at Edinburgh Napier University. INDUSTRY APPROVED Publishing courses (accredited by the Professional Publishers Association and Creative Skillset). MSc Publishing was the first Publishing programme in the UK to be approved by the Professional Publishers Association. It is one of only two UK courses to be accredited by Creative Skillset. MSc Magazine Publishing is the only course of its kind in Scotland.
You’re going to need a bit of backstory to get through this post.
When I was fifteen years old, I was selected to be in a “young writers” program back in Spain. This program taught us, kids from ages 9 to 20, a series of writing techniques and an introduction to poetry and all the necessary tools to one day become writers. The lessons were taught by some brilliant authors like Fernando Iwasaki, Pablo García Casado, Eduardo García and Rosa Montero, who made us write stuff and then read it aloud in class. That’s how I got to know what my friends were writing, and how many different voices fit in a classroom. The Andalusian School for Young New Writers made me realize that although I liked writing, what I really wanted was to get those voices to the public. And thus, when the journalists came to air a piece on us, I claimed on national TV that what I truly wanted was to be an editor and to publish all the people who deserved to be heard.
That philosophy has stayed with me and it’s what made me start this MSc in Publishing. After all the lessons and seminars and different events, I can understand a lot better how publishing works and how marketing, design, editorial and all other components are parts of a whole: an industry that makes money out of IP and that has strategy and numbers and an awful amount of both math and uncertainty of what the future brings. But underneath all that I saw echoed what my fifteen-year-old self thought publishing was – how what truly matters, in the end, is to bring stories and voices to people everywhere. Continue reading “Publishing Others”
When I first entered the London Book Fair, I got a mixed feeling of excitement and stress. The place was huge, and there were so many exciting things to see that I felt overwhelmed at first. After making sense of the Olympia (and that took me most of the first day), I started to enjoy everything that the Fair had to offer both as a Publishing student and as a reader.
Even though I spent most of my time in the Fair stuck in the Literary Translation Centre, listening to many inspiring translators and publishers about the day-to-day business of bringing books from all over the world to the UK, I had time to rush to the first floor of the Olympia and listen to one of the most interesting talks of the Fair, and this article will be about that particular talk, which I think is very interesting for both students and publishers as it is about something that, whether we like it or not, we have to deal with: Continue reading “London Book Fair and the Publishing Trends in 2018 and 2019”
A few months before coming to Edinburgh, I had my first experience with the publishing industry in Mexico. I happen to know a young writer whose first novel was about to be published, and luckily for me he let me help in the process. One of the main things I noticed after reading the manuscript, was its intertextual quality. To create the rhythm of his writing, he constantly quotes other authors, poets and philosophers. As a consequence, the book is full of ‘hidden’ references, only noticeable because they were set in italics. As stated by the author, his intention was precisely that the identity of his own words and the ones borrowed became blurry by not mentioning any sources within the text nor in any reference list. At that time, we weren’t aware of any copyright norms, other than the academic way of referencing. Of course, we understood the importance to give the appropriate credit to IP, nevertheless the editor didn’t mention any copyright issues. Actually, he told the author that referencing to the original texts was optional and that no further action was required.
Fast-forward to the present and I’m halfway through the MSc Publishing course. During the last few months I’ve been able to learn about the different areas of the publishing industry, one of them being rights management and acquisition. Learning about rights in publishing was overwhelming, since I never imagined it to be such a complex and exploitable area. Continue reading “Discovering the World of Rights”
As I was scrolling my Twitter feed late last year, I stumbled across an announcement for something called CYMERA. Billed as ‘Scotland’s Festival of Science Fiction, Fantasy and Horror Writing’, the announcement stated that the first-ever CYMERA would run from 7–9 June 2019 and bring a plethora of talented writers to Edinburgh to discuss their work and celebrate all things speculative fiction. As someone who regularly chooses to read about dragons in her spare time, that sounded downright magical. After reading the full write-up about the festival in The Herald the next day, I knew I wanted to be involved. I just needed to figure out how to make that happen.
As CYMERA is in its first year of existence, there were no established work placements or internships in place. This meant that there were no application forms to peruse, no previous interns I could pester, and definitely no established list of dos and don’ts. Frankly, the whole thing was a bit like going on a quest without a map. Or detailed directions. Or a compass. In complete darkness without a single sliver of moonlight to illuminate the path ahead. As such, I thought it might be helpful to share some of the things I learned while pursuing my placement and going through the nerve-wracking process of composing and sending that first email to a complete stranger. Forge ahead for some tips and Marie Kondo gifs. Continue reading “The Life-Changing Magic of Sending an Email: How I Secured a Placement With CYMERA Festival”
Coming into 2019, I’d successfully completed the first three modules of the MSc Publishing course. The skills I acquired through Publishing in Context, Publishing in Practice, and Fiction and the Fiction Market, strengthened my knowledge of the industry and market research, as well as enhanced my design and editorial skills. I began the Publishing Placement and Professional Development module in second trimester fully confident in my ability to secure a 10-day work placement before the end of the term.
With social media platforms being a free and far-reaching means of advertising for job vacancies, I began regularly searching for work experience opportunities on Twitter using the hashtags #workexperience #workinpublishing #publishingjobs #careersinpublishing. While I admit this was somewhat of an unconventional approach, it is ultimately what landed me my placement with Culture Smart travel guides.
I was absolutely delighted to be offered a spot in Culture Smart‘s marketing and publicity department and looked forward to cultivating first-hand industry experience during my time there. Culture Smart is an imprint of Kuperard, a publisher and distributor based in North London. Among the publishers they distribute for are Harper One, William Collins, Simon & Schuster and Random House. The Culture Smart imprint provides essential information and insight on regional etiquette, customs, courtesies, attitudes, beliefs, and behaviors for countries worldwide.
When I started the publishing programme at Edinburgh Napier University, the placement module was the one I was excited about and also the least worried about. This might sound weird, because, like most of my peers, I started this programme to get more publishing experience. I wasn’t as nervous about this upcoming placement, however, because I spent last year interning at various publishing houses in the Netherlands and thus already had some experience.
I have been a book blogger since March 2013 and over the course of the fewpast years I have built relationships with various publishing houses within the UK. I have loved reviewing for Harper Collins, Abrams & Chronicle, Bloomsbury, and Bonnier Books in the past; and when the time came to secure a work placement, I sent a few emails to contacts I hadmade through my years of blogging. Two weeks later I secured my placement at Abrams & Chronicle Books in London.
At the beginning of this course the placement module always seemed exciting, but when the time came to actually organising one, it all felt a bit more daunting. I had no direct experience in the industry, and although you’ve got to start somewhere, getting that first bit of experience is always tricky. It’s difficult to put yourself into a situation where you don’t really know the day-to-day workings of a publishing house and are wondering what you can bring to the table. Of course, as it turns out, I had far more to offer than I thought and those transferable skills everyone talks about really do come in handy.