Postgraduate Publishing studies at Edinburgh Napier University. INDUSTRY APPROVED Publishing courses (accredited by the Professional Publishers Association and Creative Skillset). MSc Publishing was the first Publishing programme in the UK to be approved by the Professional Publishers Association. It is one of only two UK courses to be accredited by Creative Skillset. MSc Magazine Publishing is the only course of its kind in Scotland.
From day one of the MSc Publishing course at Napier I knew that I wanted to try and get into the wonderful world of children’s publishing. Personally, I can’t think of a more vibrant and fun industry to work in, possibly swayed by the fact that I just adore children’s books. So, when my email and cv approaching Barrington Stoke about a placement was accepted, I was very excited to see how a children’s publisher operates.
Barrington Stoke is an Edinburgh-based publisher that specialises in books for dyslexic children. They were set up in 1998 by Patience Thomson and Lucy Juckes, a mother and daughter-in-law team, who had personal experience with how reading difficulties can isolate a child. Spotting this gap in the market they set up Barrington Stoke with core objectives to publish books that were dyslexia friendly and inclusive for children with this reading disability. Another key aspect of their intentions was to publish well-known authors and illustrators so that the ‘super-readable’ books were similar to those being already published for the age group. With a unique easy-to-read font and an amazing array of authors and illustrators working on the books, Barrington Stoke has become a pioneering, award-winning company that has changed the children’s books industry for the better. They have a wonderful list of books encompassed in their impressive array of series, all that cater to children’s different abilities and interests.
Recently I was contacted by someone possibly undertaking the MSc Publishing course later this year, looking for some answers and reassurance about what the course entails. I was immediately reminded of my own nerves prior to postgrad life, having had many of the same questions myself (but not taking the smart step of finding the answers, as this person has done). Whilst I’m one who’d only call themselves wise ironically, and definitely don’t have all the answers, perhaps this post will help relieve some stress, even if only for one person! Now, all aboard the train to Tip Town.
Don’t panic (as any good hitchhiker will know).
Generally good advice for life, but especially on an MSc. Whether you’ve gone straight into an MSc from undergrad, or are returning to education after however many years, it can be a shock to the system with how it differs from what you’re used to – whether that be assessments, the level of independent study, etc. Don’t panic! The tutors on this course are happy to answer your questions, no matter how stupid the questions may seem to you. We’re all here to learn, and they’re here to teach us.
Help others, and let others help you.
The peer support throughout this course has been spectacular. At the beginning of the year someone set up a Facebook group for all of us to join, and it’s a great way to check if your small queries can be answered before emailing one of the tutors who are undoubtedly very busy. In class it’s also super handy – everyone has different experiences which lend varying skills, for example I used to be an English tutor and therefore have a keen eye for grammar and can glance over pieces of writing. Others have more technical experience, and can help in an InDesign or Photoshop crisis. Helping your pals as you go is also a great way to cement what you’re learning in your brain, and ensure that you’re remembering the new skills being taught.Continue reading “Lizzie’s List of Postgrad Pointers”
Last week I hopped on a plane to Mainz with a group of my fellow publishing postgrads. The trip was absolutely fantastic. We had the chance to meet interesting people, explore new places and learn about the publishing landscape in Germany.
We spent a day at the university in Mainz, listening to lectures and touring their publishing archive. We enjoyed a walking tour of the city, ate delicious local cuisine and even got to tour the archives of Schott Music, a leading publisher for classic and contemporary music. As a former band geek, I was ecstatic to learn a bit about the history of music book publishing and completely enthralled to be in the same room as original work by Mozart and Wagner.
My personal highlight of our visit was a day trip to Heidelberg (aka my new favorite city). We did some sightseeing (I convinced a few classmates to join me in climbing the 313 steps up to the top of the city’s castle) and then spent the afternoon listening to presentations at Springer Nature’s headquarters.
Having undertaken a qualification in secondary English teaching, I am familiar with the concept of a work placement. As a student teacher you are required to undertake three separate placements, two lasting 6 weeks and one lasting 4 weeks. These are full-time, and you can feel like they go on forever. In publishing, when completing an MSc at Edinburgh Napier, you are hoping to take on a part-time or temporary placement, not required,but the aim of each is to provide valuable experience. For me this time, instead of teaching Curriculum for Excellence English lessons to teenagers in north Glasgow, I was packing my bag and heading to Floris Books, an award-winning children’s book publisher in Edinburgh. The opportunity to work at Floris Books as their Sales and Marketing intern is a rare and exciting one. Floris take on one intern a year, usually advertising the position from about October to university students at Edinburgh Napier and Stirling, before the role commences in January. This year, they’d chosen me. Continue reading “A placement at Floris Books – what I learned about publishing (and had thought to ask).”
When I first began my MSc Publishing degree I had no experience of working in the publishing industry. However, having had various jobs since my undergraduate degree working in sales, social media and customer service, I had developed transferable skills that helped me a lot coming into publishing as I got to grips with networking, the publishing community on Twitter and marketing. By the time trimester two came around I was eager to get started on the placement module which had appealed so much to me when I was applying for publishing courses the previous year. I was excited for the opportunity to combine the skills I had learnt in class with some practical experience in the industry.
When it came to securing an internship, I didn’t think twice before contacting Ringwood Publishing. Ringwood are a small, independent publishing house based in Glasgow and focus on publishing both fiction and non-fiction around the themes of sex, politics, football, the outdoors and more. With such a varied list I knew I wouldn’t tire of reading Ringwood submissions (something I can vouch for now), and having researched the company for my case study in trimester one I knew that they have a fantastic relationship with interns who take on key responsibilities and have more independence over the tasks they carry out than they would in a lot of larger publishing houses – it is easy to see why Ringwood has been quite a popular choice among some of my fellow publishing students this year. I was also drawn to Ringwood due to their dedication to new authors writing on niche subjects, and who are often overlooked by larger, more mainstream publishing houses.
I began my internship with Ringwood as a Marketing & PR Assistant which was very exciting – I didn’t have a lot of marketing experience at the time apart from what I had learnt in class so this was my chance to think strategically about events, target audience and promotion within a professional environment. Almost straight away I got involved in planning events and creating PR proposals, and I quickly found that in this role there is a strong emphasis on communication skills as you are the person generating interest around an event and ensuring its promotion. Being comfortable approaching potential collaborators and media contacts is crucial, and an aspect of the job that I have thoroughly come to enjoy – there is something satisfying about receiving a positive response from the perfect collaborator to your event. Along with this there were also opportunities to take on reader and proofreading tasks.
A highlight of this internship for me was becoming one of Ringwood’s Submission Managers. In this role I am involved in every aspect of the submissions process from considering manuscripts at every stage, to communicating with authors and liaising with readers. This has also been a great opportunity to sharpen my skills in reading and get into a copyediting mindset and I have really enjoyed taking an active role in such an interesting area of the publishing process.
Overall, my experience interning with Ringwood has been a great insight into different areas of publishing within a small, independent publishing house. It has given me a taste for learning as much as I can about the way that different publishing houses function and the different roles that are available in publishing leading me to take another shorter internship with the brilliant Think Publishing. This experience has been indispensable to me and I would truly recommend Ringwood as a fantastic publishing house to intern with for anyone who takes an open-minded, practical approach to learning and really wants to get stuck in.
Photo: One of the best parts about my internship has been creating an event to promote Ringwood’s Scots-Irish backlist titles. Above are some of the books that will feature in the event.
There’s been a lot of discussion recently about UK publishing outside of London, thanks to the dedication and the hard work of organisations such as the Northern Fiction Alliance to get the voices of publishers outside the bubble of London heard. Unfortunately, before my time at Edinburgh Napier and studying my MSc in Publishing I didn’t even know that companies outside of London or Edinburgh even existed, let alone ones so close to me in the Yorkshire city I did my undergraduate degree in.
Aside from the fact that I am now following all the right people on twitter to hear about such companies, one thing that helped me discover the literary scene in Hull was the urge to get a placement. It seemed fitting that I would head back to the place where I first learnt that publishing could be an option for me as a career path and started my journey to Edinburgh. To have my first placement with Wrecking Ball Press it completed a nice narrative circle for me, and as I learnt more and more about working in a small publishing company I also learnt about something else.
There is a thriving literary scene surrounding the area that had simplly seemed to pass me by before, and I like to claim that literature is what I love the most. I was beginning to hear of festivals because of the fact Wrecking Ball Press often helps bring such events into reality. Such as Lyricull, which celebrates music and song writing in Hull, and Humber Mouth a literature festival that focuses on literature and draws attention to the city of Hull and its passionate people.
Hull and Wrecking Ball pooled so much into their literature, art and culture ventures in the past year as they also celebrated being the City of Culture for 2017, (something I was gutted to have missed out due to the fact I graduated a year before this took place). With events happening every day to help spread the awareness of the city’s thriving culture, it simply proved that Hull has such a large wealth of talented people committed to the arts.
However, learning all this got me thinking, what other cities have such thriving publishing, literature and arts scenes that are simply hidden by the size of London’s stake in the pool of festivals and companies? I was surprised at how much happens in Edinburgh when I moved here 8 months ago and it’s a capital city, so what else is out there that I simply didn’t know about before because I didn’t have the knowledge to find them and check them out?
Literature festivals help publishers, writers, readers, and even people who don’t count themselves as readers, to connect and share in their love of literature. It is platform that has helped Wrecking Ball showcase their works to a wider audience and I’m proud to know that these things were, and are still, happening in Hull. So now, wherever I end up, I will be on the look for festivals and events that will help keep me connected to literature as I pursue my career into publishing. There’s always something on your door step, you just have to look.