Postgraduate Publishing studies at Edinburgh Napier University. INDUSTRY APPROVED Publishing courses (accredited by the Professional Publishers Association and Creative Skillset). MSc Publishing was the first Publishing programme in the UK to be approved by the Professional Publishers Association. It is one of only two UK courses to be accredited by Creative Skillset. MSc Magazine Publishing is the only course of its kind in Scotland.
As I’m drawing to the end of my publishing degree I can’t help but look back at all the things I’ve learned. I came into this degree confident that I knew everything about this industry. I truly felt that I wouldn’t be starting from nothing and instead would be building on knowledge I already had. I mean how hard can it be to make books? As it turns out there’s a lot more to publishing than meets the page and there have been some serious highlights throughout this course.
One of the most interesting highlights of the course was the 2019 London Book Fair in March. This was a fantastic opportunity to see the publishing industry at its finest. Not only were we given the platform to network with some of the biggest publishers, it was also an opportunity to listen to some deeply interesting panels about current issues facing the industry… Continue reading “MSc Publishing: A Year in Review”
When I first entered the London Book Fair, I got a mixed feeling of excitement and stress. The place was huge, and there were so many exciting things to see that I felt overwhelmed at first. After making sense of the Olympia (and that took me most of the first day), I started to enjoy everything that the Fair had to offer both as a Publishing student and as a reader.
Even though I spent most of my time in the Fair stuck in the Literary Translation Centre, listening to many inspiring translators and publishers about the day-to-day business of bringing books from all over the world to the UK, I had time to rush to the first floor of the Olympia and listen to one of the most interesting talks of the Fair, and this article will be about that particular talk, which I think is very interesting for both students and publishers as it is about something that, whether we like it or not, we have to deal with: Continue reading “London Book Fair and the Publishing Trends in 2018 and 2019”
Most of my experience of my first London Book Fair as a MSc Publishing student this year was a dazed wander around the Olympia, trying to take as much in as possible and also not get overwhelmed. Publisher stalls were fit to burst, pathways were bustling with people, and panels were sometimes full to the brim. There were however two panels that weren’t as crowded but that I wish had been. Both explored the importance of literacy to the wider community, to society as a whole, and implored publishers to collaborate. I can’t begin to summarise the range of initiatives, expertise, and overall sense of hope that these panels gave me properly in this post but hopefully it communicates something of what I got out of those experiences.
A publishing student talks about her experience tackling #LBF18
There has been a lot of talk, both in my classes and out of them in the last few months, about London Book Fair. Talk about how big it is, the idea that it might be overwhelming when you first see it, that there will be a lot of publishers there: not just from the UK but worldwide. Where will you stay? How long are you going for? What panels are you planning to go to? Which stalls do you want to visit? Do you have any meetings set up? No- do you?
In May and June I was given the fantastic opportunity to complete a work placement at one of Scotland’s most successful and exciting publishing houses – the fiercely independentCanongate.
During the internship, I worked in the Rights & Contracts department. Rights is an area of publishing I am already interested in, so I was keen to develop practical skills to add to the basic theoretical knowledge I had gained beforehand.
My placement started with a meeting with Caroline, Senior Rights Executive, and Pauline, Rights Assistant. After offering me a tour through the various departments and introducing me to the staff, they gave me an overview of what I would be learning during my time at Canongate and answered all my questions about rights in general, and my internship in particular.
Conspicuous by its absence – where was the LGBT+ representation in the 2017 programme?
When I went to London Book Fair (LBF), I thought long and hard about which talks I wanted to attend. I was determined to learn as much as possible in the time available, but that meant making every moment count. While attending talks I couldn’t network – and vice versa. So I needed to focus. I decided to target talks focusing on diversity above all else, while fitting in as much about children’s and YA, technological innovation, translation and fantasy as I could.
I’ve been a great admirer of the fantasy genre ever since my mother first read Tolkien’s “The Hobbit” to me back when I was still a wee bairn (as they say in this beautiful country).
Growing up, I had a lot of friends who shared my enthusiasm; not all of them identifying as “geeks” or “nerds”, who are often stereotypically associated with fantasy literature. While not everyone enjoyed those strange tales about magical objects, far away countries and foreign creatures, it was never something I felt the need to keep a secret. It was merely regarded as a matter of literary preference or personal taste.